Highlights of the Maurice Jean Bergé dances were their chaoticity, philosophyness and modernity. He was called the toughest choreographer of the century. It was the ballet guru who changed the understanding of the art of ballet in the classical sense.
way to the peaks
In his productions, the teacher and dancer emphasized the body plastic. His credit was both the male cordebalet and the full development of the concept of universality of male dance.
A biography of the future celebrity began in 1927. The boy was born in Marseille on January 1 in the family of Gaston Bergé, a famous philosopher.
doctor recommended to parents of the painful baby to give their son to sports, but after learning about Maurice’s fascination with theater, advised to teach classical dance.
In 1941 he began training in choreography. After 4 years, Maurice made his hometown opera debut. He continued his education in Paris, as classical ballet seemed alien to him. During that period, the pseudonym “Bejar” appeared.
To dance in different groups, the novice artist made no agreements with theatres. This contributed to the creation of the author’s manner of performance, a mix of techniques of different systems of choreography.
In 1951 Béjart, who knew Petipa’s choreography, restored for the Swedish capital opera a large pas de deux from “The Nutcracker”. As a choreographer he directed fragments of Stravinsky’s “Firebird” for film.
After 3 years, the artist founded the dance company “Ballet de l’Etoile”. The band existed for 4 years. In 1959 the choreographer was invited to the Brussels theater for the production of “Spring Sacred” to the music of Stravinsky. For the master formed a troupe, taking to rehearsals of the week. The resulting performance about the story of the emergence of human love shocked the whole world.
Bottom to the wave of success, the director of the theatre Juismann offered Béjar the creation and management of a permanent company in Belgium. The company “Ballet of the 20th century” appeared in 1960 in Brussels, and in 1970 the studio school “Mudra” was opened. With the team, the master began a large-scale experience in productions connecting dance with pantomime and singing.
Bejar was the first to use sports arenas as as performances with orchestra and choir, and the action could develop anywhere in the makeshift hall. Complemented by an increasingly large screen providing viewing of the production.
In 1981, in collaboration with Claude Lelouche, the choreographer worked on the painting “Others”. Costumes for performances in 1984 were created by Bejar’s friend, fashion designer Gianni Versace. In 1987, the company’s name changed to “Ballet de Lausanne de Béjart”. In 1999, viewers saw an autobiographical version of “The Nutcracker” in Turin.
Maître was called both a scandalist from ballet and a hoax. He called himself a traveller. With the audience, the master wandered through the eras, stunning the public with knowledge in the field of art.
His fantasy was timeless, turning every creation into immortal masterpieces. In his productions often appeared unusual characters. Some of them were played by the author himself. He created 5 more than a hundred ballets and wrote 5 books. From life the maître left in 2007, on November 22.